Bufflehead Cabin

How public, like a frog
To tell your name the livelong day
To an admiring bog!

— Emily Dickinson

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This May Be The Worst Anti-Marijuana Ad of All Time

mushing1:

| Sharing the trail…hello moose.

Husky Homestead Tours - Jeff King

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mapsontheweb:

Distribution of Semitic languages in the 1st century

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kvetchlandia:

Roy Perry       Browsing at a Second Hand Bookstall, Ninth Street and Fourth Avenue, New York City       c.1940

Dan Geer - Cybersecurity as Realpolitik

zoomar:

One of them was entirely different from all the rest

explodingrocks:

Shachihoko-Shaped Kabuto (Samurai helmet). Early Edo period, 18th century 
From the exhibition: “art of the Samurai period” at the Tokyo Fuji Art Museum

(via thekimonogallery)

splattergut:

A Household God - Deserted Village

Souvenir book of the Harriman Alaska Expedition, May-August, 1899, volume 2

(via mzteeeyed)

A Customs & Border Protection (CBP) report, released in response to EFF’s Freedom of Information Act lawsuit against the agency, shows CBP has considered adding weapons to its domestic Predator drones.

The report, titled “Concept of Operations for CBP’s Predator B Unmanned Aircraft System” and submitted to Congress on June 29, 2010 shows that, not only is the agency planning to sharply increase the number of Predator drones it flies and the amount of surveillance it conducts by 2016 (detailed further in a separate blog post), but it has considered equipping its Predators with “non-lethal weapons designed to immobilize” targets of interest. (p. 63).

Electronic Frontier Foundation

Customs & Border Protection Considered Weaponizing Drones

July 2, 2013 | Jennifer Lynch

'Last week, I found myself musing darkly, “Just wait till Ferguson’s cops get federally funded drones.” If you think paramilitary policing looks dystopian now, just wait till you see what's being cooked up in defense contractors' labs.'

Gene Healy | August 18, 2014 | Washington Examiner

'Government is necessary to preserve our freedom, it is an instrument through which we can exercise our freedom; yet by concentrating power in political hands, it is also a threat to freedom. Even though the men who wield this power initially be of good will and even though they be not corrupted by the power they exercise, the power will both attract and form men of a different stamp.'

Milton Friedman in Capitalism and Freedom (1962)

skressedout:

Arthur Lee - Everybody’s Gotta Live.

americanartluce:

James Allen, Untitled, 1932, watercolor on paper, Smithsonian American Art Museum, Transfer from the US Department of the Interior, National Park Service

Eliza, Intern

(via richardott)

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